One Cake, Two Locations

Back in April, we visited the Big Mound Memorial (Le Grange de Terre), and took pictures of the cake there:

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You can imagine my surprise, then, when I saw a picture of the same cake at the Ameristar Casino in St. Charles this summer! Apparently another cake needed to be moved from yet another location, and that one ended up at the Big Mound, while the cake that had been there traveled farther west.

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We did finally get around to seeing it at the casino for ourselves. Fortunately, the cake makes perfect sense in both locations, as it’s the I-70/President Eisenhower Interstate Highway System cake. In it’s new location, it’s closer to where 70 began (and also close to the former site of the Noah’s Ark hotel in St. Charles, which is pictured on the cake), while in it’s original location, it was closer to the I-70 Mississippi River crossing. I still think the original location was best, from a photography standpoint, but I also enjoyed the excuse to visit a casino for the first time!

Cakeway to the West–Another Unveiling

We’ve been to a Cakeway to the West unveiling before, but today we got to go to our second cake unveiling. This one was extra special, because it’s the last bonus cake to be placed, which of course means it’s also the last unveiling. It was a lot of fun. We got to see the gold baby cake, and the cake cut-out, as well as the artist and other people involved in the project. Plus, it was a lot of fun seeing so many other cake enthusiasts just as eager to take pictures as I was!

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As fun as it was, it was also bittersweet. There is still one roaming cake that we haven’t seen yet, but other than that, this is the end. It’s been a long journey that has lasted almost eight months, and even though I’m glad we won’t be using so much gas anymore, I’m sad to see it end!

The Most Official-Looking, Unofficial Cake in St. Louis

In addition to the official Stl250 cakes that have been placed in significant locations all over the St. Louis area, many unofficial cakes have popped up here and there. Different locations, many of whom are celebrating their own significant anniversaries, have wanted to get in on the fun. Some of them follow the general Stl250 design, of a square layer, followed by two round layers, and while it’s obvious they’re not official, they’re still fun attempts. Other places have done cakes in their own style, most of which are all round layers. Again, still fun, but very obvious that they’re not part of the official scavenger hunt.

Enter Hawken House:

Had I not known this was an unofficial cake, I would have assumed it was another bonus cake. It’s that good. My understanding is that it’s made of wood instead of fiberglass, but the size and design are spot on. I can only guess that whoever was in charge of this cake had access to the original design and went from there. So even though it’s an unofficial cake, because it’s so exceptional, I decided it deserved a place among the “real” cakes here on my blog!

A Trio of Once and Current Restaurants

In the process of cake hunting this year, I learned that the Busch family, with the help of architectural firm Klipstein and Rathmann (also known for their work on the Anheuser-Busch Bevo plant and the Bauernhof at Grant’s Farm), built taverns/restaurants in an Old World style in the early 1900s. This was done in a move to present a wholesome, family-friendly image to the area (as opposed to the shady drinking establishments that were common then), and to protect their interests as prohibition approached. I knew of two of the existing locations (and they both have cakes to mark their importance in their neighborhoods and the greater St. Louis area), but the third one was new to me. Of course I had to get out and see and compare them all!

The most recognizable of the restaurant trio is Bevo Mill. Once you’ve seen a giant windmill in the city, you’re not likely to forget it! It was actually the last of the Busch family restaurant trio to be built (in 1916). August Busch Sr. originally chose this location because it was approximately halfway between the brewery downtown and his home at what is now another popular St. Louis location, Grant’s Farm, so it made a nice stopping place to water the horses along the way. The stones on the outside of the restaurant were chosen by him personally from the Grant’s Farm property. He even had his own private dining room in the restaurant, and apartments upstairs! The restaurant was named to market a specific Busch product popular during Prohibition, the nonalcoholic Bevo cereal drink. Bevo Mill closed briefly in recent years, but was purchased by a new investor, and has been re-opened, mainly for private events such as weddings, but also for brunch.

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Arguably the current busiest of the trio is the Feasting Fox in Dutchtown, which includes this charming Old World building, and a banquet hall, Gretchen’s Inn, next door. This is the “middle child” of the buildings, as it was built in 1914. The restaurant originally went by the name Busch’s Inn or Gretchen’s Inn, before it acquired the name that pays tribute to the mascot for the nonalcoholic Bevo cereal drink, Reynard the Fox, a character in a medieval French folk tale. This restaurant also sat vacant, but for a much longer period of time, and was quite neglected until it was rehabbed in the early 1990s. It is now known as one of the few places you can find a German meal in the St. Louis area.

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The final of the three, the old Stork Inn, located at Taft and Virginia in Dutchtown not too far from the Feasting Fox, is the one I had never heard of before, which is probably in part due to the fact that it no longer functions as a restaurant. The first of the three Busch family-friendly taverns, it was built in 1910 in the familiar wedge-shape of the flatiron style, but still retains the same old world charm as the other two locations. Like Bevo Mill, the Stork Inn was built to promote a particular Busch beverage, this time Malt-Nutrine, a drink marketed toward pregnant and nursing women (thus the stork imagery, which is very popular in Germany). The building has been restored, and is currently being used as an architecture studio. Note that the white stork on top of the building is similar to the ones on top of Bevo Mill and the Bauernhof at Grant’s Farm.

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There were other Busch-commissioned taverns in St. Louis in the early 1900s, all built for the same purpose of putting a better spin on drinking establishments prior to Prohibition, and then offering a progressive alternative during the country’s dry years, but these are the only three that remain standing and retain their historical integrity. As I mentioned earlier, however, the Bauernhof at Grant’s Farm shared the same architects, and it does still retain its historical integrity, as well…here’s a recent shot to compare the style (and the previously mentioned storks):

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These buildings are obviously the product of a bygone era in St. Louis, and I’m glad that they are still standing to tell part of the city’s story!